Document Type : Research Paper
Author
Associate Professor Department of Persian Language and Literature Razi University of Kermanshah
Abstract
The spiritual figure is a text of pre-existing texts that Molana, motivated by the creation of a new meaning, has undergone a change in the structure of the narrative pirang. Contemplating the pirang changes of stories in Masnavi shows that Molana has the tools such as: the expansion of narrative actions, the creation of Hol and Vela in crisis, the multiplicity of suspense episodes، Metamorphosis in the genre of narratives, the reduction and addition of the levers of the ability of activists and the change in the type of narrative actions to change the pirang of narratives, has used to achieve a new meaning. The purpose of this study is to examine and compare the structure of the pirang in two stories of the elephant-eater in the vulva after its intensity and reflection under the name of the story of the child-eating pile in the third office of Masnavi. The author is determined to analyze the changing tools of the narrative by Molana, by studying the levels of the narrative, to explain how the process of creating a new meaning from this narrative is. The results of the present study show that Molana, by modulating the levers of empowerment and changing the action of characters, by converting the tension narrative to Shushi، It has succeeded in creating a mystical and mystical meaning of a realistic text. And with the change of narrative situations, it has succeeded in creating a narrative in the new genre.
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